An Art To It

Coastal memories are important to Jeweller Hannah Louise Lamb - she grew up in Cornwall and now lives and works on the east coast of Scotland, but it's other people's coastlines that are central to her business. Hannah has been making her hand-pierced coastline jewellery for over twenty years, and she's built her business the long way round: posting envelopes of slides to every gallery listed in the back of Crafts magazine, doing every craft fair going, and recently making the difficult decision to leave Not On The High Street after nearly two decades, because it no longer felt like the place that championed makers. She is also an avid supporter of the galleries and independent stores that stock her work: When someone messages her because they've fallen for one of her rings in a gallery, her answer is simple: "Well, please go to the gallery and buy it there." There's no way, she told me, that she'd take that sale for herself. "We're all in it together. It's a collaboration, not a competition." As a gallery…

A handful of ceramic animals and a walk along a road of Tudor houses are just two of the steps on Amanda Banham's path to becoming the much loved and in demand ceramic artist she is today. Amanda is best known for her collectable raku-fired ceramic houses, each with its own story, which she makes in her studio in Saffron Walden in the east of England. Her route there took in floristry, teaching horse riding, a farm in Cornwall, four children and an illustration degree, before a single talk at university - by an illustrator who also made the aforementioned ceramic animals - sent her back to clay. In this very lively and entertaining episode, we talk about: Discovering pottery and other crafts at her beloved 1970s village primary school, and then barely touching clay again for years Her university course in Illustration coming to The university talk where an illustrator pulled out a handful of tiny ceramic animals, and Amanda went home and announced she was going to be a potter Her first terrifying but…

Before she was a painter, Tamara Williams spent 25 years running a successful London design agency - it was a career she loved, creating work for a wide range of clients including Marks & Spencer and Burberry. It was only after selling the business that she discovered printmaking, and a happy accident with plaster of Paris that led, eventually, to painting. Tamara shares her journey and the serendipity of discovering her passion for painting. We also talk about the realities of running a creative business and how, despite building a design practice, there was no cross over with the art world; a world she says that really has no rules! In this episode, Tamara and I talk about: Being inspired to study graphic design by her older sister ten years who introduced her to the work of Saul Bass and Milton Glaser when she was still a child. Going freelance almost by accident in 1989, hiring a cupboard-sized studio near Oxford Circus, and growing the agency from two people - and a dog - into a successful 25-year…

When CAN you call yourself a ceramicist? Kate Clark's @K_ceramics beautiful hand carved ceramics are sold across the country, from the Outer Hebrides to Cornwall, and even over to France. Her many fans include three generations of one family who all independently buy her work; and she still doesn't quite think she's earned the word "potter." She still adds that she's "also a Graphic Designer, as that's what my degree is in." In our lovely chat, Kate talks openly about her journey to being a full time ceramicist: "I've had loads of lessons, I've been taught by fantastic people," she told me, "but I haven't got the stamp, as it were." But when you're making - and selling exquisite work - what more of an endorsement do you need? Kate's passion for pottery began while living with her family in New York City, she followed her kids to an after-school pottery class, fell in love watching them make things, asked if adults could join in, and never really left. She says her first bowl was awful but her teacher…

Painting shop shop-window mannequins in Chelsea is not a traditional way to learn the art of blending oil paints, but it's just one of the steps on Sally Hirst's journey to becoming both an artist and a hugely popular tutor. Sally was in Spain in the spring of 2020 when it became clear that the workshops she'd planned for the summer back in Norfolk were unlikely to happen. She got the last flight out of Malaga, announced on social media that she'd find a way to teach online, wrote a blog about it for Jackson's Art Supplies and woke the next morning to around four hundred emails - because Jackson's had listed her online courses, which did not yet exist, among their ten things to do during lockdown. What followed is one of the more decisive pivots I've heard about. She went from a newbie on YouTube to thousands of followers and the beginning of a thriving business. Six years on she has twenty-four courses, around a hundred hours of video, two Instagram accounts, and a book out this autumn. She's also…

After 13 years of running a successful jewellery business, Claire Gent knew that something no longer felt right, but she wasn't sure what should come next. Picking up an art book in a cafe on a family holiday in Penzance she discovered the work of contemporary painter Alasdair Lindsay https://www.alasdairlindsay.co.uk/; she fell in love with it and it sparked a passion for her to pick up her own paintbrushes. What began as a new creative interest rapidly became an obsession. In 2024, Claire tested a small collection of paintings alongside her jewellery at the annual Contemporary Craft Festival in Bovey Tracey in Devon https://craftfestival.co.uk/. She sold almost every piece, returned home with just two paintings and her partner immediately suggested they build her a studio. And so began this chapter of Claire's creative career. In our chat Claire talks candidly about losing her love for her jewellery business and the excitement of moving onto painting, how she is carrying the skills from one creative career…

Some guests really need more than one episode, and Kellie Miller is one of them. A successful artist in her own right, she is also founder and director of Kellie Miller Arts, a renowned Brighton gallery representing an exciting mix of national, international and local artists. She also teaches, is involved in philanthropy and plays a major role in the creative life of Brighton - she just has to come back for another chat. But in this very entertaining episode we talk about the realities of life on both sides of the gallery wall: the freedom (and occasional exhaustion) of wearing two hats, why curating is its own act of creativity rather than a lesser cousin to "real" art, and why Kellie believes entrepreneurship is vital in being a successful artist. Kellie is also refreshingly honest about the business side of running a gallery - how gallery pricing actually works, why undercutting a gallery by selling direct to a client who found you through them is one of the fastest ways to end a relationship, and why…

What happens when an artist decides that joy isn't just an emotion - but a creative purpose? In this episode I chat to ceramic artist Emily Hett, whose colourful, tactile sculptures have captured the imagination of collectors and social media audiences alike. Emily's joyful 'blobs' have become her signature, but behind the playful forms lies years of thoughtful experimentation, resilience and a clear understanding of what it takes to build a sustainable creative business. We talk about the moment she realised joy was at the heart of her practice, the extraordinary impact of a viral Instagram reel, and why success isn't simply about algorithms or follower numbers. Emily also shares some refreshingly honest advice about marketing, consistency and finding a way of working that feels authentic. Whether you're just starting out or already running your own creative business, this conversation is full of practical insights and plenty of encouragement. In our chat we discuss: - How Emily discovered that joy had…

When creating with flowers is not quite fulfilling you, it's time to pack away the secateurs and pick up the paintbrushes. Brigitte Girling shares her story in Episode 56 of An Art to It. Brigitte is a fine artist based in Suffolk whose vivid, joyful still life paintings celebrate what she calls "the beauty of the everyday." But her route to the easel was anything but straightforward. In this episode, Brigitte talks about a childhood of creative freedom in Framlingham, being steered away from art at school despite loving it, studying psychology at Exeter, teaching primary school children, and eventually building a thriving floral design business specialising in seasonal, chemical-free flowers. When COVID brought events to a halt, Brigitte found herself retrieving a box of art materials from the attic — materials that had been sitting there for a decade — and quietly began to paint. Within a couple of years she had exhibited at the Colchester Art Society, done Suffolk Open Studios, and become artist in…

Having her eyes fixed as firmly on her business goals as on her paint palette, has been the bedrock of Alice Sheridan's creative success. In this episode of An Art to It, artist, mentor and co-host of the long running and much-loved Art Juice podcast, Alice Sheridan, shares her journey. Alice talks about her move from a career in graphic design into painting, how she began taking her art seriously as a business, and why structure, support and self-awareness have all played such an important part in her creative career. We discuss the realities of building an art practice alongside family life, the role of ADHD in how Alice works, and why understanding your own energy, habits and decision-making is so important when you're running a creative business. Alice also shares her thoughts on selling directly, working with galleries, art fairs, social media, membership communities, pricing, and why artists don't all need to follow the same route to success. This is a wonderfully honest conversation about commitment,…

A passion for colour, flowers and making all came together for Katie Robbins as she said goodbye to a career in marketing and welcomed a new creative direction as a ceramicist. In a lively and very open chat Katie - known by many on Instagram with her memorable handle @ceramicmagpie - shares her journey from a career in marketing to becoming a full-time ceramicist, and how creativity was always present in her life - even before she could imagine it becoming her work. She talks about studying French and politics at university, working in marketing, keeping her creative levels topped up with evening classes, and eventually finding her way to clay after having children. Katie reflects on the slow process of building confidence as a self-taught maker, the challenge of calling herself a ceramicist, and how selling her first pieces helped her begin to believe in her work. She also discusses how her marketing background has helped her shape her brand, understand social media, and bring people along on her creative…

Ceramicists never really retire, but they are allowed to indulge in a sabbatical. In this episode of An Art to It, I chat to Lucy Burley, whose beautifully distinctive ceramic bottles and vessels have been a much-loved part of my gallery https://thebyregallery.co.uk/ for ten years. In our very lively chat Lucy reflects on her creative path, from a first life in London as a tri-lingual secretary and then working in television production to discovering painting classes, art school, and eventually clay. She talks about developing her now instantly recognisable style, inspired in part by Giorgio Morandi, and explains how she built a ceramic practice rooted in harmony of form, colour and use. We also discuss what it means to sustain a creative business over decades: learning as you go, building gallery relationships before the internet made everything visible, managing health challenges, and knowing when it's time to step back and reassess. Lucy shares why 2026 has become a "mini gap year" or sabbatical for her -…

Freedom of choice and taking up all opportunities are just two of the topics I chat about with visual artist Laura Menzies in episode 52 of An Art to It. From a multidisciplinary arts degree and early love of dance to developing a distinctive painting practice in Cornwall, Laura shares her creative business journey; and reveals how studying, teaching and later completing an MA in Fine Art helped her refine her artistic voice. We also discuss the reality of building a creative business: learning the business side on the job, approaching and working with galleries, and the inventive collaborations that have helped Laura reach new audiences, including projects with Celtic & Co https://www.celticandco.com/ and Neptune https://www.neptune.com/. Laura speaks openly about growing in confidence, learning to market herself in ways that feel aligned, and the value of staying open, flexible and resilient in a creative career. Topics covered Laura's early creative life and multidisciplinary arts degree Why visual art,…

Exhibiting - and wearing - a maker's work for a decade is definitely something worth celebrating. This week I'm chatting with Cornish jeweller Lucy Spink, a Byre Gallery regular for ten years since I first discovered her work thanks to two clients who were wearing her jewellery; surely the best kind of introduction. Since then I've got a considerable collection of her work myself - as have many of the gallery's clients. In our lovely chat we talk about how the jewellery world has shifted over the last decade, the eye-watering rise in metal prices, Lucy's love of unusual stones, and the way photography, texture and storytelling all weave through her practice. Lucy also shares the real behind-the-scenes of creative life: fairs, imposter syndrome, the juggle of life, dogs and studio time… and why residencies can be pure creative gold. We chat about: How I first discovered Lucy's work a customer-styling recommendation! How the jewellery market has changed: trends, saturation, and shifting tastes Why unusual…

Word play and the serenity of printing are under discussion in this episode of An Art to It, when I'm joined by artist and maker Megan Fatharly. An exciting talent, Meg has won a deserved reputation - and fan base - for her witty and distinctive embossed metal work. In a lively and honest chat we talk about Meg's relationship with place (Scottish beginnings, Cornwall now), her diagnosis of ADHD in her late twenties, and how art-making became both a way to process the world and a "capsule of process" she could return to when things felt too much. Meg shares the behind-the-scenes truth of building a creative business: the push-pull between play and commercial demand, the exhaustion of systems and delegation, the emotional reality of visibility, and why success can feel strangely rigid when your work becomes known for "one thing". We also discuss taking part in the trade show Top Drawer, the difference between that and a market, how audiences connect with the person behind the work, and a line that Meg wrote in…

Celebrating 20 years as a beacon of creative excellence in jewellery, I'm delighted to be joined this week by Vicky Sewart, founder of Victoria Sewart Contemporary Jewellery Gallery in Plymouth, Devon. In a lovely chat with Vicky we talk about what's changed in the jewellery world, and why, with a very clear vision of what she wanted her gallery to be, she "stuck to her guns" through recessions and retail shifts. Vicky also shares how teaching has become a huge part of her creative life, the reality of navigating breast cancer just two years into opening the gallery, and why she's now embracing a fresh "next chapter" with mentoring and renewed energy. What we cover: How the contemporary jewellery landscape has changed over 20 years Why Vicky chose "gallery" over "shop" - and what that means in practice Sticking to a clear vision (even when the market pushes you mainstream) The joy of teaching design-led jewellery Whether you need university to become a jeweller today The role galleries still play in a world…

In this episode of An Art to It, I'm joined by ceramic artist Carolyn Tripp for a very enterianting and thoughtful conversation about finding your voice, building confidence, and taking the long view in a creative career. Carolyn shares her journey from advertising to ceramics, how loss shaped a deeply personal body of work, and why success in the art world often comes slowly - through consistency, clarity, and community rather than quick wins. In this episode we talk about: Finding your true creative voice later in life How personal experience can become universal in your work Why Carolyn describes her work as a "visual diary" of things she notices The value of getting help with words, storytelling, and communication Imposter syndrome - even when showing your work at a prestigious event like Collect How previous careers can quietly support a creative business Selling work through galleries and how collectors engage with ceramics Why evolution in your work needs to be careful and considered What success…

In this episode, I'm joined by ceramic artist Sonya Wilkins, whose vessels are inspired by the natural world - particularly trees, woodland textures, and the quiet power of time spent outdoors. Sonya shares how creativity has been woven through her life since childhood, from early painting lessons with her father to discovering clay at school, and why ceramics became both a practice and a refuge. Sonya also talks candidly about her "two pulls": a creative identity alongside an entrepreneurial streak, and how her earlier career in people development eventually found its way back into her work. A turning-point moment brought her full circle to teaching ceramics, and reignited her own studio practice. We chat about the tension many artists face between commercial demand and soul-led making, how Sonya uses variety (and a range of price points) to support both creativity and sustainability, and why she sees Instagram as a visual portfolio rather than a creative prison. We also touch on other subjects close to…

2026 - and series five - kicks off with An Art to It's first ever transatlantic episode: this week I'm joined by gallerist Liz Lidgett of Liz Lidgett Gallery + Design in Des Moines, Iowa. https://www.lizlidgett.com/ Liz shares how growing up with a free local museum - and a grandmother who bought her art lessons every Christmas - shaped her belief that art should be for everyone. After studying art history and working as an in-house curator for a major corporate collection, she left the corporate world after exactly one year to become a freelance art advisor before opening her own gallery in 2019… just months before the pandemic. In our lively chat we talk about how being based in the midwest - rather than LA or New York City - gave Liz the space to experiment with selling art, and how Instagram and lockdown turned a her local gallery into a global business. and why Liz treats her gallery as her biggest artwork – built on joy, ethics, and a strict "no jerks" rule. Inspired by her belief that art really IS…

Ever wanted to eavesdrop of gallery owners in conversation? Now is your chance . In this Christmas Special edition of An Art to It, I'm joined by two fellow gallerists: Sharon Harvey (Sanctuary Gallery, Gloucestershire, and landscape artist) and Sara McKee (Life Full Colour gallery and music venue, North Wales). Together we unwrap what 2025 has really been like for independent galleries: the tough months, the surprising highs, the "Dunkirk Spirit" of a Private View in a rainstorm and flood, and why layering income streams and experiences has become essential. We also answer questions posed by artists and makers on: How galleries choose new artists Whether being a "Northern" artist limits your gallery chances Following up when a gallery goes quiet The reality of pricing for galleries vs. art fairs Whether galleries worry about "missing the next Van Gogh"… It's a cosy, honest, very real conversation about art, money, risk, resilience - and why your relationship with a gallery matters as much as your work. You…

In this week's episode, I chat to visual artist Gabriella Buckingham, whose creative path has taken her from illustration, to product design, to online teaching, and finally to the richly expressive painting practice she runs today. Gabriella reflects on her childhood desire to be an artist and how finally reaching her destination "was just what I wanted. So I'm very grateful." And how her time spent in the business side of a greetings card business left her with invaluable knowledge of trends, sales analysis and creative stamina which she could ultimately apply to her own creative business. "I really feel that to run art as a business, you've got to be an optimist. You've got to be able to pick yourself up when you fail." We discuss: • Our shared Lithuanian heritage - and the mystery at the centre of Gabriella's family history • Growing up obsessed with the paintings in her family home - as well as colour and ballet Why she realised graphic design wasn't for her as she cared far more about the painting than…

In this final episode of my mini-series An Art to It: Unframed, we're talking about the quiet power of presentation - and why giving your digital presence a bit of a make-over can make such a difference to how your work is seen, understood, and valued. As a gallery owner I get a lot of submissions from artists and makers asking me to consider their work, and naturally I look at their Instagram accounts and websites. Some times I'm excited by what I discover and others… well, let's just I'm left a bit confused as to what their practice actually is. So this episode explores how your online world: your Instagram grid and your website, act as your shop window. And just like any good window display, it needs a little thought, clarity, and styling to really invite people in. In this episode we cover: Why artists often resist "styling" - and why it matters more than we admit What major retailers can teach us about presentation How your Instagram grid works like a mini exhibition Simple user-friendly and effective…

In this episode of An Art to It, I'm joined by applied artist Amy Stringer, who has just celebrated ten years of running her creative business. Amy's practice moves between jewellery and ceramics – think structural, architectural, process-led work that blurs the boundaries between wearable pieces and sculptural objects. Starting with body adornment and bold cement forms, she's now known for both her chain-led silver jewellery and her carved Kurinuki vessels, where jewellery sometimes lives inside the ceramic object. Together, Elaine and Amy talk about what has changed over the last decade for makers, and what it really takes to sustain a creative career over the long term. They discuss: How the landscape for makers has shifted pre- and post-Covid, from material costs and gallery closures to the boom in workshops Why Amy's teaching practice has become a vital pillar in her business, and what she loves about passing on traditional skills Her transition from "fashion-minded" body adornment to process-led…

It's one thing when a friend deliberately buys the same coat as you. It's quite another when your creative work, or something very similar, turns up on someone else's instagram grid, gallery, grid, or workshop offering. Copying is personal, deeply and annoying and hurtful - but when it could undermine your carefully crafted creative identity and brand, then it's a real issue. In this episode, we take a look at the slightly thorny subject of copying in creative business: how to spot it, what to do when it happens, and how to protect yourself going forward. From personal experience to industry advice, she explores why copying hurts, when to take action, and how to trust your own originality even when others are borrowing a little too freely. Whether you're an artist, maker, writer or workshop teacher, if you've ever had that sinking "hang on a minute…" moment, this one's for you. In this episode: Why creative work feels personal What you can protect (and how) Why visibility invites imitation How to respond…

What happens when the art you're known for no longer brings you joy? In this episode, mixed media artist Jane Wilson shares her journey from fashion buying to creative commercial success, and how a door closing lead to her finding her true voice as a playful, joy-filled artist. Jane opens up about early experiences of imposter syndrome, the emotional fallout from a tough gallery break-up, and how lockdown gave her space to rediscover creativity on her own terms. We talk about the art of starting over - more than once - and why success looks different at different stages of life and career. Jane also reflects on professional ambition, the importance of artist identity, and how she's channelling her experience into launching her first online workshop. We talk about: Jane's shift from fashion buyer to professional artist Why gallery representation isn't always the dream Imposter syndrome and reclaiming the title of 'artist' Playing your way into a more joyful practice The power of beginner's mind Success,…

In episode three of my mini series of mini podcasts, I'm talking about something that comes up again and again - in both quiet conversations and loud frustrations. Invisibility. That creeping feeling of no longer being seen or noticed as we age, especially as women. Whether it's being ignored in a cafe queue, looked through as we walk into a gallery or walked past at a party, there's a moment many of us experience where it feels like the spotlight has quietly moved elsewhere. And if you're an artist and maker does that make your job of getting your work seen even harder? I believe that creativity doesn't have a shelf life, and being in your 'prime' is just the be beginning. I talk about: Why "a certain age" is really just your "prime" How to show up fully and unapologetically The power of language and how we talk about ourselves Creative identity, visibility, and confidence How creative passion fuels vitality And why it's never too late to start - including a 75-year-old artist I mentored recently Plus, I…

In this week's episode of An Art to It, I chat to artist I talk to the multi-talented Franca Westaway - an artist, designer, educator and all-round creative force. Franca's work spans textiles, ceramics, teaching, painting, mural commissions - and a deep commitment to following her creative instincts wherever they lead. We talked about her early love of fashion and textiles, and how she pivoted from working in the London fashion industry to teaching art and then building her own surface pattern business. She shares how creating bold work helped her resist the "invisibility cloak" that can come with middle age, and why she's not interested in following a conventional business model if it means compromising her values. Franca opens up about the ethical challenges of mass production, the environmental questions that surface in her creative decisions, and how she's now moving into small-batch ceramics that are unapologetically personal and hand-painted — even if they aren't "convenient" to scale. We also talk…

We've all done it, a quick scroll turns into a spiral. Someone else is making more, selling more, getting that gallery show or grant… and suddenly, your own progress feels like it doesn't count. In this episode of Unframed, I'm taking a look into the spiky topic of comparison: - When it can actually help your creative practice - When it starts to undermine your confidence - And how to set your own pace without getting pulled off course As a gallery owner and coach, I see this come up all the time - perhaps especially for artists and makers who are returning to creativity later in life or growing a practice alongside other demands. And I've felt it too. Comparison can be motivating, but only when you're clear about what you're looking for. In this chat, I share some ways to be more intentional with what you absorb, how to choose a healthy 'pace-setter,' and why your timeline doesn't need to match anyone else's. Whether you're feeling inspired or overwhelmed, I hope this helps you find your footing again. You…

Artist and mentor Lisa Henshall joins me from her Norfolk studio to talk about the creative spiral that underpins her practice. From a wild and free Cornish childhood to painting at the kitchen table with three small children, Lisa shares how she's built a full-time art career rooted in self-trust, sharing, and expansion. We talk about the business of being an artist, what real gallery support looks like, and how each phase of making and mentoring loops back into the next. Lisa also reflects on the early days of balancing single parent-hood with painting, her teaching experiences, and why she's now finally returning to study to undertake a Masters at Arts University Bournemouth aub.ac.uk We discuss: Lisa's concept of the creative spiral Growing up on Cornish coast with a love of painting - and being allowed to do it! From jewellery to large-scale work and international shows How mentoring and teaching feed into her creative practice Showing vs selling—and why both are part of the process What great…

In this first episode of An Art to It: Unframed, I'm taking a look at something that comes up again and again - in my coaching, my course, and in conversations with artists and makers: imposter syndrome. You know that voice. The one that says you haven't studied enough. Or sold enough. Or been doing this long enough to really call yourself an artist. I hear it all the time - especially from women coming to creative work after a different career, or picking it back up after raising a family. In this short solo episode, I talk about: Why imposter syndrome shows up (and when it's most likely to strike) How to spot it before it spirals Why formal training is not the only mark of legitimacy How to build your own "box of strength" to keep you going when doubt creeps in Whether you're just starting out, coming back to your creative self after a break, or taking the next brave step in your career, this one's for you. Plus: a quick reminder that my online course for artists and makers getting ready to pursue their…

In this episode of An Art to It, I chat to artist Susan Kinley, whose striking glasswork blends a fine art sensibility with applied material techniques. We talk about her journey from fine art textiles at Goldsmiths in London https://www.gold.ac.uk/ and mixed media work at the Royal College of Art, https://www.rca.ac.uk/ to her layered, landscape-inspired glass practice rooted in Cornwall. Sue shares how place, light, and materiality have always guided her creative path, from working with Japanese papers to developing glass installations inspired by ancient field patterns and standing stones. She reflects on her time as a teacher and her early years in London, and how a fellowship at Falmouth University https://www.falmouth.ac.uk/ led her to make Cornwall her home. We also explore the practical and professional side of working in glass: from navigating galleries and site-specific commissions to pricing, installing, and selling work that sits between sculpture and painting. Sue offers thoughtful insights into…

This week, I'm joined by ceramicist Liz O'Dwyer in an entertaining - and very honest - chat about building a creative practice from the ground up. We talk about Liz's early love for making, her years in both art education and Forest School, and how she reconnected with clay later in life, thanks to encouragement from her family, eventually finding her material in porcelain and her voice in form, line, and inlay. Liz shares her experience of teaching as a way to build skill and confidence, her journey through imposter syndrome, and how support from events like the Contemporary Craft Festival https://www.craftfestival.co.uk/ and becoming a selected member at the prestigious Craft Potters Association https://www.craftpotters.com/ helped her feel like she truly belonged. We also talk about building a creative business at your own pace, saying no, finding the right galleries, and the quiet joy of seeing your work in someone else's hands. We cover: Making peace with not having a ceramics degree How teaching shaped…

Artist, Gallery Owner, Creative Force This week, I'm joined by Sharon Harvey: a painter, gallery owner, and passionate creative, to explore what it really takes to run a commercial gallery while maintaining an active artistic practice. Sharon shares her winding journey from a successful corporate career into the art world, what led her to study fine art in her 40s, and how a chance conversation changed everything. Now the founder of Sanctuary Gallery in Gloucestershire, she offers a unique dual perspective on gallery-artist relationships, creative confidence, and the realities of selling art today. We discuss: - The courage it takes to pivot careers and pursue art later in life - How becoming a gallery owner reshaped Sharon's view of working with galleries - The practicalities and pressures of running a gallery solo - The power of relationships in both making and selling art - Why artists need to approach galleries like partners—not just platforms - And the art of holding your nerve when things don't sell…

This week, I'm joined by painter, and Byre Gallery regular, Jill Hudson, whose creative life has been shaped by travel, resilience, and an enduring love of the sea. Jill shares her journey from studying at Falmouth art school to achieving an enviable life/work balance, and how experiences like teaching in Uganda and studying in Venice helped shape both her perspective and her practice. We chat about the realities of running a professional art business - from the challenges of self-promotion and gallery relationships to the delicate balance between commercial work and creative freedom. Jill reflects honestly on what success means to her, the ongoing struggle with admin and marketing, and why she's finally ready to explore a long-held dream of working in fresco. We also discuss Jill's early determination to become an artist (despite her careers advisor's doubts) Her formative experience teaching in Uganda Studying art in Venice and its lasting influence (not just the coffee!) The gentle build of her creative…

This week, I'm joined by the brilliant and irrepressible Sara McKee - art historian, copywriter, branding expert, and founder of Life Full Colour, https://www.lifefullcolour.com/ a vibrant gallery and cultural hub in North Wales. Sara shares the rich tapestry of her creative and corporate life: from being mentored by legendary art historians at Warwick University https://warwick.ac.uk/ and discovering a love of fresco in Venice, to carving out a second career in advertising and strategy. But it was her decision to turn passion into purpose that took centre stage: Sara explains how her plans to share her thoughts on art exhibitions, took her to selling work online and then deciding to open a gallery in March 2020, just before the UK went into lockdown. In a candid, entertaining, and inspiring conversation, Sara and I chat about: What studying art history taught Sara about looking, not just seeing The unexpected influence of theatre, ancient history, and marketing on her gallery work Building a creative…

In this episode, I chat with London-based painter Melody Reynolds, whose luminous swimming pool and beach scenes have brought a welcome breeze to the gallery walls this summer. Melody reflects on studying at St. Martin's in the 1990s, why she's always felt like an outsider in the art world, and the ways her painting process balances instinct with experimentation. She talks about what it takes to stay bold in the studio, the realities of contacting galleries, and why even seasoned artists need mentoring. Topics include: Painting as a subconscious process—and learning to break your own rules How childhood experiences (and clown paintings!) shape our creative paths Finding joy in chatting to collectors—and the power of in-person connection Why promoting your work is necessary, not vulgar Email lists, postcards, art fairs, and other practical marketing strategies Learning how to approach galleries with professionalism and personality Her hopes for new collaborations—with restaurants, designers, and public art…

In this episode, I chat with award-winning silversmith Alex O'Connor about the winding path that led her from sculpture to silver—and from the Isle of Wight to the far west of Cornwall and the rugged landscape of West Penwith. In a hugely engaging and very honest chat, Alex shares how her autistic thinking and aphantasia (inability to voluntarily visualise mental images) shape her highly tactile, refined work, and why she describes her creative process as an act of distillation. She discusses forging a new direction later in life, the evolving definition of success in a creative business, and the importance of taking a punt—even when things don't go to plan. Topics include: Finding home in Cornwall and inspiration in the landscape Studying fine art at Kingston and discovering a love for materials Reframing failure and redefining success after a difficult debut at Goldsmiths Fair How aphantasia influences her process—and why she calls herself an "editor" of ideas Her upcoming Quest Scholarship…

What does it mean to make art that's truly yours—even when it doesn't fit the mould and you have to face potential resistance in the market place? In this honest and uplifting episode, I chat with Cornish artist Siobhan Purdy, whose dreamlike, deeply personal paintings have earned her a cult following. From navigating childhood as a selective mute to building thriving artist communities in Cornwall, Siobhan shares how creativity became her lifeline. We explore: The origins of her distinctive, magical visual style How she channels childhood memories and neurodivergence into powerful imagery The tension between staying true to your vision vs. the pressure to "go commercial" Why being in her studio is her definition of success The part she played in turning the Cornish town of Redruth - and Krowji https://www.krowji.org.uk/ in particular - into the buzzing creative hub it is today. Siobhan's distinctive work might be not be for everyone —but to many, it's unforgettable and I've been privileged to exhibit it for…

In episode 31 of An Art to It, ceramicist Deborah Harwood joins me from her beautiful studio on the Goodwood Estate in West Sussex. Deborah shares her remarkable creative journey: from growing up part of deeply artistic family, her late father, is the acclaimed playwright and screenwriter, Ronald Harwood, (The Dresser, Quartet, The Pianist) to working for over a decade as an agent representing some of the UK's most acclaimed writers, directors and set designers, and to then, in her 50s, finding her creative passion in porcelain. We talk about how creativity shaped her early years, and how Deborah missed the opportunity to study under internationally renowned ceramic artist Felicity Aylieff https://www.felicityaylieff.com/ who was the art and ceramics teacher at her school - opting for jewellery instead, a decision she laughingly calls a huge mistake in hindsight. After she left her career in London, Deborah's first creative foray was in textiles - a medium she chose more from circumstances than passion - and…

In this solo episode of An Art to It, I share my experiences of creating a brand identity for myself. Why am I doing that you might ask. Last year I realised that I really needed to set up a separate website as a home for the online courses I run, and for this podcast too. I wanted the Byre Gallery to concentrate on doing what it's supposed to do, showcase our exhibitions and the beautiful work we feature in the gallery, and elainedye.com can be the home for everything else. As I talk a lot about the importance of branding in my course: An Insider's Guide to Gallery Success I do quite a lot of reading about branding anyway and came across a great line by marketing guru Seth Godin (sethgodin.com) : "A brand is the set of expectations, memories, stories and relationships that, taken together, account for a consumer's decision to choose one product or service over another." And for some reason this made me think about the photo I saw on the Kennel Club website https://www.thekennelclub.org.uk/ two and a half…

In Episode 29, I'm delighted to be chatting to Caroline Reed, a London-based glass artist working in the exquisite and lesser-known technique of pâte de verre. Caroline shares the extraordinary story of her transition from a career in science and leadership development to a deeply creative life as a glassmaker, her third career, and one she treats with both passion and professionalism. Caroline reflects on her journey into glass, from her early love of art and materials to the moment she found her medium in pâte de verre, drawn to its delicacy, tactility, and potential for layering and experimentation. We explore how her scientific background influences her methodical and curious studio practice, and the emotional experience of pursuing a new career in midlife, including the imposter syndrome that can follow. She also shares candidly about her experience at the Royal College of Art, the impact of COVID on her studies, and the importance of resilience, adaptability, and community in sustaining her creative…

For many artists, despite having an idea of what you want to create, sometimes the work finds you. For Claire Brewster it was a love of paper, a passion for the freedom of birds… and some handy foam board and pins that sparked her creative practice. Twenty years on from her 'eureka' moment, her exquisitely detailed paper birds, hand-cut from vintage maps are in art private and public art collections, hotels and cruise ships all over the world. Our lively conversation spans Claire's creative journey—from her early fascination with paper, through art college, experimentation and finding her paper birds… taking off! Claire candidly shares how her work evolved, navigating the tension between creativity and commercial success. We discuss her bold decision to experiment with painting and collage, the emotional complexity of her practice, and the realities of running a thriving creative business. Claire also reveals the story behind her commissions for prestigious hotels and cruise ships, and why connecting…

We have a double delight in this week's episode of An Art to It: a painter who is also a gallery owners, as I'm joined by Judi Green—painter, curator, and co-director of Cornwall's Tregony Contemporary, a gallery she runs with her husband Brian Green. Judi is a rare and inspiring creative—an accomplished artist in her own right, and someone who brings the same care, clarity, and commitment to nurturing the careers of other artists through her gallery. In our very entertaining chat Judi share's her early career in advertising where she she was one of very few female art directors at the time, and how—through decades of design, freelance work, parenting, and painting—she eventually found her way back to fine art full-time. Judi shares how studying at the Slade and the Royal Drawing School re-ignited her practice, and how a deeply personal project inspired by her father's war service became a pivotal moment in her journey as an artist. Of course, we also dive into the story of how Tregony Contemporary came to…

In this episode of An Art to It, I'm joined by Amy Frankie Smith, a ceramic artist and designer whose stunning porcelain lighting and fluid watercolour paintings bring together texture, translucency, and an undeniable sense of place. Amy's journey into ceramics began with a degree in 3D Craft at the University of Brighton, followed by hands-on experience in architectural ceramics for conservation. But despite an academic and industry-focused path—including a Winston Churchill Fellowship that took her to New York and Chicago—Amy found herself longing for a more personal creative practice. She shares how she transitioned from working in conservation and project management to setting up her own studio, where she now creates delicate, timeless porcelain pendant lights and paintings inspired by the sea. We talk about: The magic of porcelain and how she discovered lighting as her main medium - Why her ceramic work and watercolours are deeply connected The importance of finding the right spaces—both in galleries…

Shaping a fresh brand identity is something a younger Laura Wasley might have envisioned—but back then, it would have been for a major fashion house rather than an arts venue and educational charity. Now CEO of the prestigious Make South West, Laura originally set her sights on becoming a buyer for the iconic London store Harvey Nichols, leading her to study fashion. After a brief stint in visual merchandising at GAP and running her own clothing store, her career took a different turn—one that merged creativity with education. Laura joined Arts University Plymouth, https://www.aup.ac.uk/ where she played a pivotal role in external projects and student development. Her dedication to helping undergraduates connect with the creative industries, and prepare them for the world after graduation, earning her well-deserved recognition. In early 2020, Laura stepped into a new challenge at the Devon Guild of Craftsmen, just as the world was about to shut down. The Covid lockdown made running an arts venue incredibly…

Nikki Mosley's stunning paintings - whether her cool, pale and elegant beach scenes or her passionate pink skies - do feel quintessentially Cornish. And that's no surprise as Nikki lives and works on the Cornwall coast. But it was the other side of the Atlantic where Nikki's first seriously began her creative journey. After following her husband and his career across the globe, a posting to Houston in Texas allowed Nikki to finesse family commitments with art college. In this episode of An Art to It Nikki and I chat about her journey to becoming a full time artist. From unfinished art studies at school - a fire drill getting in the way of concluding an ambitious project - through an interior design business and sporadic art classes - creativity has always been part of Nikki's life. The opportunity offered in Texas to develop her skills and win a place at the prestigious Glassell School of Art in Houston https://www.mfah.org/visit/glassell-school was the catalyst she needed. Several years later the family…

When you have an artistic eye and a talent for creativity you are often blessed with being able to use this skills in different ways, and Claire Stockings-Baker is a perfect example of a multi-disciplinary artist. Sculptural silver jewellery is what Claire is best known for as an artist, but her creative career started in costume design, and print making and painting are still a big part of her life. In our lovely chat - which as fellow dog lovers didn't actually focus too much on our four-legged friends - Claire shares the creative path that fate as well as passion has taken her on. Following a BA in textiles and fashion at Winchester School of Art, https://www.southampton.ac.uk/about/faculties-schools-departments/winchester-school-of-art Claire studied costume at the Bristol Old Vic Theatre School https://oldvic.ac.uk/, an experience she loved and which launched her career in the theatrical costumes. But falling ill while she was travelling overseas made Claire re-think her work and the lifestyle that…

Sometimes a guiding hand is all that is needed to kick start you on a particular path or career, and sometimes fate delivers that in an unexpected way. Visual artist Kerry Louise Bennett knew that she wanted to pursue a career as a painter but it didn't seem quite achievable; then prompted by misremembering a comment from a friend, she picked up a book in a second hand shop by hypnotist and self-improvement guru Paul McKenna https://www.paulmckenna.com/ called 'Change your Life in Seven Days' and focused on achieving the life she wanted to live. Five years on, she is living that life, creating beautiful, uplifting and sought after paintings and showing them with highly acclaimed art galleries. How did she end up living the dream? In our very entertaining chat, Kerry talks about her creative journey: she excelled at art while at school, but didn't feel she had the support to take her studies further and instead went down a more academic path. But creativity continued to be a part of here life - either…

If you could pick the ideal medium to create your art work what would it be? Oil paint, charcoal, … or chocolate? Although painting had been a part of her life for as long as she could remember, it was as a chocolatier that Ashleigh Anne first found creative professional success. In our lovely chat, Aisleigh shares her love of creating in all its guises and how following in her family's footsteps into the restaurant and catering world didn't mean she turned her back on her artistic skills. Encouraged by her grandmother, she excelled at cakes and confectionery and before long was opening a chocolate shop and cafe where her elaborate wedding cakes were much in demand. Aisleigh reveals that working in the somewhat relentless pressure of the hospitality industry took its toll on her mental health. A decision to reprise her love of painting and to go to art college to pursue that sadly added to the stress rather than relieving it. But moving away from the chocolate business and finding solace in new jobs in…

Creativity has always been part of Sarah Pooley's life. But after completing a degree in textiles her career took her into the knitwear industry where she found a job she loved designing patterns for a brand of knitting machines. When she started her family having a home based career was preferable and the beginning of the next chapter in her creative life was in soft furnishings for interiors. It was her trusty sewing machine that took Sarah on to the next stage of her creative life, and what she is known for now: her stunning free motion embroidery fine art textiles. In our very entertaining chat, Sarah talks about her life long of wanting to capture the landscapes around her in her art, and how fortunate she feels at finding the perfect medium for her to do so. She shares her coastal inspirations for her work and how her sister's new career as a ceramicist in the north east of Scotland gave her, not only a new part of the coastline at the other end of the country to enjoy but, access to an established…